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Puzzle for Dinner

Illustration
Zinnia Noel

Concept Note

I started cooking “big people foods” like chicken curry, dal, fish fry, etc., during lockdown, not because I enjoyed it or it was a hobby I picked up because boredom was too boring, I did it because I had no choice. My parents would go to work, and I was the only other person who could cook a meal. Ever since then, cooking became a tool of survival, never enjoyment. It frustrates me, makes me extremely sweaty, I smell like onion and oil, and the process is too time-consuming.

Second year of college, my friend and I moved into an apartment together, and things were full of joy and whimsy the first few weeks until college crumpled us into a small box and closed the lid. We stopped cooking every day and would even skip multiple meals. I ordered food almost every single day. I almost felt like something was missing within me, and I couldn't find that piece. My body felt heavy, almost like a huge goop of slime. I had to get up I had to pick myself up to survive. So I decided to look up extremely simple recipes that would be ready in the blink of an eye. And there I found my survival kit, my rasam and potato fry. It would barely take 20 minutes to be ready, and I would load my plate up with rice, pour rasam to the brim, and take a heap of potato fry, pairing it with a tangy and spicy garlic pickle my roommates' mother would send us.

All the other recipes seemed too complicated. I looked at it as a puzzle, and every other recipe had its pieces scattered all around my brain, except this one. This piece is a thank-you note to rasam and potato fry. It was the easiest puzzle I could solve, and that puzzle was the missing piece in my life at that point. It laid down all the pieces in a neat order, sustained me, made me feel warm and gave me a pat on my back.

Artist Bio

She is a recent graduate with a bachelor’s degree in Literature and Psychology, fields she once believed would define her future career. Alongside this, she has been an artist for the past eight years, and the desire to pursue art full-time eventually led her to make the decisive shift to becoming a full-time artist. It has been a month since this transition, marked by enriching experiences and an eager anticipation of what lies ahead.

Originally from Mumbai, she was born and raised in Bahrain and moved to Bangalore three years ago for university. Her artistic interests are deeply influenced by her love for flowers, horror, and surrealism, elements she consistently weaves into her work. This piece marks her first exploration of a new art style, and despite the process involving trial and error, she is delighted with the outcome.

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